Keeping things realistic in your novel

This post is the twenty-first in a series about writing a novel. You can check out the list of past topics at the end of this post.

You are watching an action movie, and during the fight scene, the two sides shoot and shoot and shoot some more. And while you are engrossed in the action, somewhere in the back of your mind you are wondering “Shouldn’t they run out of bullets or at least need to reload?”

Just like watching that action scene momentarily jars you out of the story, many things in your novel can have the same effect on your reader. And there is nothing worse than reading and enjoying a book when you come across something that pulls you out of the story.

I’m going to give some examples. Many of them are based on fantasy writing situations but hopefully you can correlate them to something in your novel that you need to make sure is believable.


Magic use to be prevalent only in fantasy novels but more and more, magic shows up in other genres, including romance and suspense.  Magic can certainly enhance a story, but you need to make sure it is believable. You need to clearly define (at least to yourself) what can and cannot be done with magic. There must be limits on magic otherwise the person using magic would always win and there would be no conflict in your story. Magic cannot be the answer to everything. Or as Rumpelstiltskin in ABC’s Once Upon a Time said, “All magic comes with a price.”

There are countless ways to limit magic: power is drawn from magical lines through the ground, and if you aren’t near one then you have no magic; magic is based on knowing spells, so you are limited by your knowledge; magic makes a sound other sorcerers can hear and thus can find you, and the list goes on and on. Decide which rules you want to use and then make sure you stick to them in your story.


In a fantasy world, food is one area that can pull readers out of the story – or at least those readers paying attention.

Yes, this may be another world or time period. And, yes, food choices and eating habits may be different there. But everyone is familiar with food, so you should at least have the food choices make sense. Writers of fantasy novels too often ask us to believe that a roadside meal is cooked in the time it takes to water the horses or set up camp or that fresh fruit is available at all times – even the winter.

A quick search on the internet could spare these mistakes. Take rabbit stew for instance. A quick look reveals that in a modern kitchen, it takes two hours to cook and that doesn’t include prep time. So this isn’t practical for a roadside meal – or at least not a quick one. As with any camping trip, authors need to consider how all the supplies – food, tents, weapons, clothing – are going to be hauled. A lot fits in a car but you can carry less in your saddle bag.

Eating is such a big part of life that you can’t ignore it in your novel. Of course, you need not focus on it unless it advances the plot somehow such as a grain shortage. But do take the time to learn something about some of the foods that you mention so that you don’t jar the reader out of the story with something improbable.


Another thing I see in many novels is how fast it takes someone to get somewhere. Here again you need to be practical. You don’t want to have your character fly across the country in just four hours when it takes at least seven on a commercial airliner or travel from Los Angeles to San Francisco in two hours when it takes six. People in New York will know how long it takes to get across town and will be surprised if your character does it super-fast. And with fantasy writing if your characters are walking long distances, riding a horse to another city, or traveling by wagon, please research how long this will take. (For more you can check out this post.)


To me it is a lot of the things that jar me out the story are part of the little details.

In one book I recently read, a woman won a lot of money. She spent quite a bit of it but supposedly still had millions to invest. I kept thinking that the numbers didn’t work out especially after she bought a large house and paid cash for it.

But it can also be something as simple as wearing a blue shirt one moment and a red one the next. Or have a character join a conversation when they are supposed to be elsewhere.

Being consistent with your details, whether they are about magic, food, travel or what someone is wearing is very important in allowing your reader to be immersed in your make-believe world. And when it comes to areas that you aren’t knowledgeable about (perhaps traveling a long distance on a horse), then make sure you do the research, so you can accurately portray the scene in your novel and not jar your reader out of the story with something as ridiculous as a gun that never runs out of bullets.

Previous topics

#1 – Deciding to write a novel – Writing Myths

#2 – Three areas to develop before starting to write a novel

#3 – Finding a Story Idea and How to Know if it “good enough”

#4 – Developing Characters for your Novel

#5 – Major characters? Minor Characters? Where does everyone fit in?

#6 – Developing the Setting for your Novel

#7 – The importance of developing conflict in your novel plot

#8 – To Outline or not to outline 

#9 – The importance of a story arc

#10 – The importance of tension and pace

#11 – Prologue and opening scenes

#12 – Beginning and ending scenes in a novel

#13 – The importance of dialogue…and a few tips on how to write it

#14 – Using Internal Dialogue in your novel

#15 – More dialogue tips and help with dialogue tags

#16 – Knowing and incorporating back story into your novel

#17 – Hinting at what is to come with foreshadowing

#18 – Tips for writing different scenes in your novel

#19 – Dealing with Writer’s Block

#20 – Killing a Character in your Novel